Dave Malloy’s electro-pop opera Natasha, Pierre, and the Great Comet of 1812, featuring a “touching performance from Blake DeLong” (Marilyn Stasio, Variety), opened last night to rave reviews from The New York Times, The New York Post, Time Out New York, and others.
In The New York Times , Charles Isherwood writes, “When that comet streaks through the sky at the hushed climax of the show, Pierre experiences an epiphany that had my heart leaping into my throat, as he sang with humble joy of the mysterious workings of human affections. Having come to realize that his abiding love for Natasha has grown even richer, Pierre is wonder-struck at the discovery that compassion for another’s suffering can bring us a pleasure as profound as the fulfillment of our own greatest desires.”
More review highlights can be found by visiting BroadwayWorld’s Reveiw Roundup.






