After a ruthless cabal seizes power in Washington, Carlton Berg, a bureaucrat for the State Department, runs off with the new regime’s top secret Enemies List. Unfortunately for Carlton, the chase has come to an end in a police station in the Ozark town of Lodus. With a pair of DHS agents on the way, Carlton’s last chance is in the people around him: an unsympathetic police chief, an ambivalent administrative assistant, and fellow prisoner Tanya Shepke, motor-mouthed recidivist and alcohol enthusiast, who appears to have an attention-deficit disorder and thinks Skynyrd should be on the new money. Let the revolution begin.

The North Plan was an audience favorite at JAW 2009.

Click the image to rsvp on facebook.

A staged reading of
MARY’S WEDDING by Stephen Massicotte.

WINNER Alberta National Playwriting Competition
WINNER Betty Mitchell Award for Best New Play
WINNER Alberta Book Award for Drama

directed by Dina Epshteyn
starring Leah Curney* and Blake DeLong*

sound design by Daniel Kluger
stage manager Irene Carroll

Mary and Charlie unexpectedly find each other sheltering in a barn during a thunderstorm, prompting a tentative love. But the year is 1914 and they must surrender to the uncertainties of their times. Now it is the eve of Mary’s wedding, a night filled with dreams—of love, of war, of what might be.

MONDAY, NOVEMBER 14TH @ 7:30PM

*Actors are appearing courtesy of Actors Equity Association

Blake as Sebastian in Twelfth Night, or What You Will with Pig Iron Theater Company.

“DeLong is… positively gleeful… youthful exuberance… a highlight of the production”

-Jillian Ashley Blair Ivey, KeyPulp

“Blake DeLong brings sweet brio as Sebastian” -Lewis Whittington, EDGE Philadelphia

“Get out of town to see Pig Iron Theatre Company’s Twelfth Night!” -Helen Shaw, Time Out New York

Pig Iron’s Twelfth Night is the best Shakespeare we’ve ever seen.” -Emily Guendelsberger, The AV Club

“Casting Triumph” -Toby Zinman, Philadelphia Inquirer

“An impeccably cast Blake DeLong” -Alaina Mabaso, Broad Street Review

“Riotous, rollicking, raunchy…” Arnie Finkle, STAGE

“A carnivalesque frenzy… not to be missed.” Mashinka Firunts, CULTUREBOT

“Something elegant… Pure Magic.” Mark Cofta, Citypaper

“Pig Iron brings a new vitality and clarity to Shakespeare…” J. Cooper Robb, Philadelphia Weekly

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